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Sunday, September 11, 2011

Essay on Tyrants

The word ‘tyrant’, like the word ‘dictator’, originally has a respectable Ancient Greek origin, and tyranny, according to Plato, is a justifiable form of government because serving the end of self interest is better than the chaos other governments might create. Tyranny would bring a semblance of order .Also, a tyrant is someone who has established his merit by having usurped the position of the ruler in the first place, and a monarch is merely born into royalty, and his merit is not taken into consideration. However, Aristotle, whom Bartolus draws on for many of his arguments and discussions considering tyranny, disagrees. The proper end of a good government is the pursuit of the good life, and under a tyrant, this is impossible, because he would serve his own interests rather than the interests of the people. Tyranny, therefore, is an anomalous form of political association because the very purpose of a government is not served. Arguements about whether tyranny was an advisable form of rule were revived in fourteenth century Italy because, as Bartolus says towards the end of The Treatise on City Government, ‘.. Italy today is full up with tyrants’. The fourteenth century was an extremely turbulent period for much of Europe, with The Black Death, the Hundred Years’ War, and, more importantly for Italy, the Babylonian Exile of the papacy in Avignon. For Italy, the fourteenth century was a period of political instability and insecurity because the retirement of the papacy signaled the independence of a number of local powers but these were fragile, and the city of Rome fell into deep neglect and decay. This is what Bartolus refers to, when he says that the worst form of government was the one Rome was then facing. ‘where there are many tyrants in different areas, so strong that none can overcome the others. There is also a common government over the whole city, so weak that it can do nothing against any of those tyrants, nor against any of their adherents except insofar as they are willing to suffer it’. This form of government Aristotle does not mention at all, because it is too ‘monstrous’ to be thought of. This, then, was the sort of tyranny that Rome was experiencing, and we may recall that most modern dictatorships have passed through some similar phase of establishing themselves: a weak government is the bedrock of a tyranny, or a dictatorship. Bartolus dismisses Rome, ‘the head of politics’, as having no government at all. His definition of a tyrant – a one-man government inclined to pursue merely bad or personal ends- is drawn from Aristotle, whose ‘Politics’ he refers to constantly. Tyranny, however, does not always have to be a one-man oppressive, or neglectful, regime, because all forms of governments are vulnerable to perversion, and ‘every bad kingship can be called in common parlance a tyranny’. This is similar to Locke’s argument against the Divine Rights of Kingship, where he says that ‘tyranny is the exercise of power beyond right….. not for the good of those who are under it, but for his own private, separate advantage.’ Bartolus mentions also, that the worst form of tyranny is the rule of one despot, because the rule of several tyrants always decays to the rule of a single tyrant.
Although Bartolus was referring to Roman tyrants, his concept has been validated again and again, when the reign of Terror gave way to Napoleon Bonaparte and when the weak governments of a post First World War Germany and Italy encouraged the growth of modern dictatorships.
A good king, according to the Deuteronomy, is ‘faithful, Christian, just, neither overweening nor one who burdens his people, no lover of luxury, neither greedy nor proud.’ This fact is used by Bartolus to strip the monarchy of any claims to any form of divinity, because these lines are proof of the fact that God was displeased with the idea of there being any form of King at all. This is also one of Aristotle’s arguments against monarchy – that it creates a Master to Slave system, and the Deuteronomy, which Bartolus quotes, says that a king ought to treat his subjects as his brothers, and not his slaves. A king, therefore, may not possess more than his needs, womanize, lead his people into slavery, or be proud. This not only clarifies the religious authority of the ruler( he is supposed to have none ) but also touches on a conventional method of despots : taxation. He may only impose taxes out of necessity, and one who ‘overburdens’ his subject may be called a tyrant. However, one could also be termed a tyrant if one indulged oneself on any account. It is for all these reasons that the Roman Senate has been traditionally revered, and Bartolus, too, thinks it advisable for a king to have with him ‘counsellors and powerful men’, because in that case, it would be difficult to corrupt the king if the entire council were not corrupt. But if the king used his head alone, he would be a tyrant.
But the three forms of tyranny there could be – the tyranny of the people, the tyranny of certain people, and the tyranny of one person- operates on a more complex level when one ruler is ruling and another is the judge, ‘such as the praesides provinciarum and the proconsuls. There are also podesta and civic rectors.’ , to quote Bartolus. The sort of tyranny fourteenth century Rome was facing was on a provincial level, when local powers were being cruel, or merely neglectful, where the government could be blamed for being too weak to resist these powers. Tyranny was an important issue for political philosophers because the conditions of Rome were likely to invite trouble from outside, and there was an absolute lack of law in the city.

Essay on Courtier as Advisor

The issue of talent over training is discussed in detail in the fourth instalment of The Book of the Courtier by Baldassare Castiglione. The natural gift of leadership in a prince has to be moulded under the unflattering guidance of a wise courtier. Undoubtedly, a good prince is a man of special abilities, but he needs to be guided in the path of virtue by the prudent courtier. Therefore, the real test of courtiership lies in the ability to speak the truth; the prince should be wary of flatterers and liars because they do not point out his flaws, and keep his vision covered by the veil of ignorance. True knowledge is the main weapon of the honest courtier in his endeavour to help the prince in maintaining the high ethical standards of leadership. Even the ancient rulers had followed the example of noble courtiers to sharpen their leadership skills. Ignorance is equated with the inability to take the correct decision; the learned courtier should primarily act as an advisor to the prince, and help him in making the right choices. Good judgement is impossible without true knowledge, and the courtier, therefore, should be a man of wisdom; musical and dancing skills are secondary. The courtier should be able to fearlessly participate in decision-making, and oppose the prince whenever he strays from the correct path.
Justice, according to Signor Ottaviano, is the biggest responsibility of the prince. It would be necessary to choose men of “wisdom and probity”, who would act as counsellors. The chief advisor would help the prince in choosing the right men; it would form the “council of nobles”. The courtier would elucidate the true idea of justice from a Christian perspective; the issue is again centred on a moral code. In this aspect, the advisor acts as a moral preceptor, and philosophically explores the ethical implications of good judgement. The question of talent over training arises once again: the high moral standards are acknowledged universally, but they are accessible to only a few; the true leader achieves that state of perfection through proper guidance. Being a good prince means being a good governor; being a wise courtier is equated with being a learned philosopher. The prudent courtier combines the wisdom of the ancient philosophers with the theological precepts of Christianity. The political weapons of the prince are chiselled by moral virtues.
An important question arises in the discourse on ideal courtiership: is the advisor superior to the prince? If the courtier has to set a good example for the prince, is he not more capable than the prince himself? The courtier does not have the scope to attain that state of perfection, but he sincerely acknowledges the importance of the virtues. The protégé surpasses the capabilities of the mentor because of his natural talent as well as upbringing. Also, Castiliglione provides the example of the whetstone which sharpens metal, but does not cut anything itself. Castiglione is wary of concluding that the courtier is wiser than the prince; it clearly reflects his conservative political stance. The courtier contributes in the training of the prince, but he is not the sole contributor. The courtier’s virtues are for the guidance of the prince, and he trains himself to become the prince’s advisor. Emphasis is laid on the age of the courtier: he should be a man of experience. The courtier is superior to the prince only in terms of experience; in other aspects, the courtier maintains a humble distance from his master. Therefore, the courtier trains himself through learning and experience to play his role as an advisor. But the prince himself should be capable of learning from the noble courtier’s example; he should be “naturally inclined and suited to his role”. Thus, the prince needs to have the talent of becoming a good governor.
The virtues of an ideal courtier separate him from the rest; the issue of talent over training is resumed in the discussion of good courtiership. The ideal courtier is himself a man of talent; he sharpens his skills through learning and experience to serve the prince. Thus, the ideal courtier is born with natural abilities which differentiate him from other courtiers; he then assumes a bigger responsibility. Castiglione concedes the fact that the ideal courtier can no longer be treated as an ordinary court attendant; he elusively assumes a higher position through his talents. Becoming the prince’s advisor is the highest aim of the courtier, and that position can only be occupied by a man of natural abilities. Thus, the prince’s instructor should be praised as the perfect courtier.
The instructor, as mentioned earlier, should be an elderly man. The elderly courtier would consistently make choices based on reason, and would not be assailed by base emotions. Continence is an important virtue, and the advisor would refrain from taking immature decisions due to his age. Having control over his emotions is necessary for the advisor in making impartial choices, and a wise elderly man seldom relies on his emotions to deliver a judgement. The instructor is not a man of action, but of contemplation; the prince acts upon his advice, and the instructor does not engage himself directly in frivolous activities. Thus, the prince’s advisor leads a contemplative life. He has experience in various activities of the court, and has the necessary skills to perform them, but he does not get involved directly due to his age. The humble detachment of the advisor gives him a dignified stature. In fact, the chief advisor should not directly participate in activities of courtly entertainment like singing and dancing. Also, it would be inappropriate for an elderly man to engage himself ostentatiously in merry-making. Thus, the duties of the advisor should primarily involve guiding the prince in governance. The instructor should have the rhetorical skills to argue on political and philosophical issues because he has to convince the prince without being dogmatic. He sets an example of following a moderate path; blunt attacks on the ego will aggravate the situation. Therefore, the advisor should also be a good debater in order to persuade the prince.
Rajdeep Pal
PG 1, Roll 22

The Courtier as Advisor: Castiglione's The Book Of Courtiers

“In my opinion, therefore, the end of the perfect courtier is. . .to win for himself the mind and favour of the prince he serves that he can and always will tell him the truth about all he needs to know, without fear or risk of displeasing him.” – thus gives Baldassare Castiglione his thesis, through the voice of a nonchalant courtier Ottaviano, portraying sprezzatura, on the role of an ideal courtier in his The Book Of The Courtier published in 1528. The work can be taken as a fictionalized depiction of Castiglione’s own experience at the court of Duke Guidobaldo da Montefeltro of Urbino, narrated in the form of series of conversations between few fictional courtiers. Here, taking Count Lodovico and Frederico as “the perfect courtier”, the spirit of renaissance humanism is reflected in Castiglione’s emphasis on the development of the character of a prince as guided, advised and channelized by a courtier who must have the qualities of a good wit, charm, prudence and scholarliness.
The principle goal of an ideal courtier is to instill into the prince the seeds of virtue that befits a ruler, like justice, liberality, munificence and nobility, through constant encouragement and deterrence from the path of evil. As the merit of any good deed has two elements, i.e. choosing a virtuous end for intentions, and the knowledge of finding a convenient and suitable way for its achievement, thus for the prince to achieve the ultimate goal of establishing a good state he needs to be protected from temptations, liars, flatterers, slanderers, etc. by the ability of the courtier.
The root vice in any human is falsehood, and it is the cause of the formation of ignorance and conceit in those princes who are drunk in their own power. If any prince is surrounded by unscrupulous men who prefers to let him live wickedly to win his favours as flatterers and thus to gain materialistically from the intimacy, or maybe are simply too afraid to criticize the falseness of the prince, this fosters ignorance in his mind of the world and of himself which in turn makes him hate reason and justice. By letting themselves get carried away by self-conceit, evil princes result in the decadence of themselves and of the states. It is here that the vital element of a true courtier is missed the most, one who would “tell them the truth and remind them of what is right.” Castiglione gives few examples from the annals of history of bad rulers like Cimon being censured for being attracted to wind, Scipio for loving sleep and Lucullus for loving banquets. But even these men took meticulous counsel from wise. Thus the princes need critical assistance of philosophers and courtiers to show the path to virtue, good governance and a prosperous state.
A courtier must win over the prince’s mind, be intimate, to gradually plant the inception of a virtuous journey with continence, fortitude, justice and temperance. To bring back a corrupted prince, to “enable him to relish the sweet fruit which lies under the slight bitterness first tasted by one who is struggling against his vices” is the job of the courtier through inspiration, education and advice. But this exercise must be moderated by the introduction of different entertainments like music, arms, horses, verse, conversation of love, etc to keep the prince absorbed and to give a holistic education, thus making the advice-making much more organic in texture and spirit.
As an answer to the query of the Duchess, signore Ottaviano gives an extensive and intensive catalogue of advices that an ideal courtier is to give to his prince. A prince has bipartite nature of his life, one that of clear insight and judgment and the other that of lawful commands and proper manner, thus a dialectic synthesis of reason of thought and humaneness of soul somewhat reflecting Aristotle’s Nichomachean Ethics; thus the prince must not only give enduring laws and ordinances to the people, but also ensure their execution and himself perform them. A courtier must advice the prince not to be always warlike but to strive for the attainment of peace and thereafter make the best use of the blissful leisure without drowning into malevolent opulence and decadence. He must also sow the seeds of practical virtues of fortitude, steadfastness, patience, resolution, etc. which are needed in the time of war to get the moral virtues in the time of peace which includes justice, continence, temperance, charity, etc.
A prince must be strong-willed enough to punish the wicked, but must use the element of punishment not as vindictive, but as reformative. This is essentially because the rule of the prince over his subjects must not be that of a master over slaves, but that of a father over his sons, thus forwarding the idea of 'pater familias'.
“For if I knew how to teach my prince and instruct him in all the virtuous ways. . .I would think nothing more was needed for me to have achieved well enough for the purposes of a good courtier.” – shows the primary importance of teaching of virtue in the role of a courtier. Here a question arises as whether to teach the prince virtues through theoretical argument or day-to-day practice, and Castiglione answers it as “as intellectual virtue is perfected by teaching, so moral virtue is perfected by practice.” A prince’s education should be advised to start with practice, as practice enables to govern the instincts not yet under the control of reason and thus commanding a discipline to reach a worthy end. It is then that intellect, fostered through arguments, should mould it to achieve perfection.
An interesting thing to note here is that Castiglione also expresses his own political theory of an ideal governmental structure in a state. This he does through the speech of Ottaviano where he tells the Duchess that he would advice a prince to form the state as a well balanced symmetry between three forms of governance, i.e. rule by the prince, rule by the best and rule by the common people, thus a monarchy with the active elements of oligarchy and sort of democracy.
A courtier must show the prince his responsibilities and guide him in their implementation. The principle duties being justice, appointment of the wise and judicious men of probity in varied posts, distribute honours and medals according to merit, issuing strict laws and obeying the laws himself. A prince, very importantly, must be religious in the true sense of the term and be free from any shards of superstition; as to revere Lord God means being in the happy side of good fortune and also maintaining an ideal figure to his subjects. A prince must rule his nation neither too oppressively, lest causing a rebellion, nor too tolerantly, lest resulting in the general decadence of the nation into corruption, but he should follow a middle path to be loved, adored, revered, respected and followed by the subjects. To quench the intrinsic restlessness of the public, which is fostered by neglect, cowardice and worthlessness of bad prince, a good prince must follow the courtier’s advice to set up a strong and just rule.
Another courtier, Cesare Gonzaga critisises Ottaviano as, with the effect of so many instructions, the courtier will become less of a courtier and more of a schoolmaster, and the prince more of a governor; and he adds the need of a monarch to live primarily a life of luxury and conquest. To this signore Ottaviano replies that for a true prince no more a relevant praise is there than to be a good governor as he should primarily govern his nation than spend more and more in the name of kingly opulence and engage in excessive warfare.
“So it follows that the courtier, whose instruction is to make the prince excellent, must be more excellent than the prince himself.” – opines Magnifico Giuliano, echoing a similar assertion by the Duchess that if an ideal courtier is truly an accumulation of all the aforesaid virtues that he teaches the prince, then he ought to be a great and better prince himself. It’s quite interesting to see Ottaviano’s superb rhetorical defense in this verbal ensnarement. He first retorts diplomatically by saying that a courtier knows better how to speak than to act, thus highlighting the role of a courtier as an adviser, then points to the argument that a courtier’s advices and instructions are not the sole cause of what the prince is to be, as the latter must be “naturally inclined and suited to his role”, or else the courtiers efforts will bear no fruit. Here one is immediately reminded the problem between ‘nature and nurture’ found in Erasmus’ The Education of a Christian Prince and even see the shadow of Pico Della Mirandola’s Oration on the Dignity of Man where one finds a treatise on the ideals of human capacity, assertion, self-fashioning, etc.
Just like farming on sterile land is futile and fruitful in fertile land – “The farmer is not by himself responsible for the harvest, but without him all the other things would be of little or no use.” – so is the role of the courtier like a whetstone which sharpens iron, but cuts nothing itself. Here Castiglione almost pre-echoes the modern bureaucratic diplomacy through the balanced use of subjective meaning of a thesis and the externalized performative use of rhetoric in its argument.
One may point out drawbacks in the book regarding Castiglione’s use of differentiating human character into clichéd conventions or in his lack of flexibility in political ideology, but still The Book Of The Courtier remains an important courtesy book and renaissance treatise on political thought.
Thus to habituate the prince in the virtues gradually through a holistic education, safeguard him the deceiving traps of flatterers, prevent him from getting infected from self-conceit and thus to ensue prosperity of the state is what an ideal courtier is ought to do, or in Castiglione’s own words – “…just as the aim of a doctor should be to make men healthy, so the aim of the courtier is to make his prince virtuous.”

Shubhankar Das@PG1
Roll - 10

Internal contradiction regarding Flattery in Machiavelli's The Prince

In Chapter XXIII of The Prince titled “How to Avoid Flatterers”, Machiavelli discusses how flatterers must be shunned by the prince to avoid being misled. He accepts the fact that it is natural for powerful men to become self-absorbed. Flatterers prove to be a hurdle in the way of their wisdom and rational thought because their flattery could cause him to avoid wise counsel in favor of rash action. He says that the best way to defend oneself against such people is to convince them that he is not offended by the truth and encourage them to put forward their honest opinions without fear of causing personal offense to the prince. However, truth, as we know, is never ultimate. It is always objective and changes with perspective. So, if everyone is enabled to criticize or oppose the decision of the prince or present differing opinions to that of the prince without any fear, then the prince will eventually lose respect.

Machiavelli’s proposed solution to this was that the prince should allow only wise advisers to speak with him, and only when he specifically requests their advice. This way, the prince will be able to demonstrate his willingness to listen to men who do not flatter him, and at the same time be in no danger of losing the respect of the rest of his people. A prince should not listen to anyone else and should be firm in his decisions. Vacillation in terms of sticking to decisions will again lead to a loss of respect. Machiavelli gives a negative example in Emperor Maximilian I, who was secretive, never consulted others, but once he ordered his plans and met dissent, he immediately changed them.
However, according to Machiavelli, avoiding all advice, flattery or otherwise, was equally bad. A prince must seek advice on a frequent basis. But he must seek it only when he wants it, not when others thrust it upon him. A prince must also be skeptical about the advice he receives, constantly questioning and probing into the logic behind each decision. If he ever discovers that someone is concealing the truth from him, he must punish that person severely. In the end, no matter how intelligent a prince’s advisers might be, a prince is doomed if he lacks intelligence of his own. He should have enough foresight and wisdom to discern good advice from bad. Wise princes should be honored for good actions proceeding from good advice.

Having discussed the specified chapter, it is very interesting to note how Machiavelli contradicts himself regarding flattery in his dedication of The Prince. Machiavelli’s dedication of The Prince, with the heading “Niccolò Machiavelli to the Magnificent Lorenzo de’ Medici”, is a letter to Lorenzo de’ Medici, who became duke of Urbino in1516. Machiavelli offers his book with customary humility, commenting that it is stylistically simple and unworthy of his audience. Machiavelli describes his book as a summary of his “understanding of the deeds of great men,” intended to help Lorenzo de’ Medici achieve eminence as a prince. He reminds the young prince that greatness awaits him because he is endowed with both fortune and admirable qualities. He declares that courtiers who wish to earn a prince’s favor do so by presenting the prince with valuables like gold, jewels, horses, etc. Machiavelli tells Lorenzo that, after racking his brain for an appropriately valuable gift, he decided that what he felt was most precious was his knowledge of great men, knowledge gained from history books, as well as from current events. Machiavelli claims to worry a bit about whether Lorenzo will be pleased with such a gift, but then reminds himself that any prince would be glad to receive, in short handbook form, knowledge which the author has taken years to acquire. Machiavelli promises that his will be a “small volume,” written in the language of common men which was the Italian vernacular (popularized by Dante’s Divine Comedy), as opposed to the pretentious academic style of writing in Latin. He then excuses himself for having presumed to write about princes at all, since he is simply an ordinary man. However, Machiavelli actually suggests that being a commoner is actually an advantage to one who wishes to write about princes, since the distance of rank gives the commoner a perspective that princes themselves lack. Machiavelli, then, is an outsider looking in. He is offering deliberately common-sense explanations for how particular men are able to become and remain great.

Though The Prince was clearly intended as a gift to earn Lorenzo’s favor, this preface concludes with a specific, pointed request. Machiavelli gently suggests that if his noble recipient likes the gift of this book then he might show his appreciation by helping the author return to court from his current position of exile and disgrace. Rather than considering this simply a work of political theory written for its own sake, it should be realized that Machiavelli had some very practical reasons for writing this book and dedicating it to Lorenzo in a very flattering way. It is known from his personal correspondence that it was written during 1513, the year after the Medici took control of Florence, and a few months after Machiavelli's arrest, torture, and banishment by the in-coming Medici regime. It is also interesting to note that the book was originally intended to be dedicated to Lorenzo’s uncle Giuliano di Lorenzo de' Medici, young Lorenzo's uncle, who however died in 1516 before the book was finished.

Machiavelli clearly contradicts himself in two major ways.
First, as mentioned in Chapter XXIII, a prince should only listen to a selected group of advisers. Machiavelli was definitely not among the chosen group of Lorenzo’s advisers that he should consider following or benefitting from any of the instructions and advices given by Machiavelli in The Prince. Furthermore, according to Machiavelli, a prince should also seek advice only when he requires it, and there have been no documented proof about Lorenzo seeking Machiavelli’s advice regarding running a principality.
Second, and most importantly, in Chapter III, Machiavelli talks about decimating any opposing resident threat after acquiring a new principality. Now, between 1503 and 1506, Machiavelli was responsible for the Florentine militia, including the city’s defense. He preferred a politically invested citizen-militia, a philosophy that bore fruit and which also made him a potential threat to any invader, even after defeat, as he had the local populace in his favour. His command of Florentine citizen-soldiers defeated Pisa in 1509. But in 1512, the Medicis, helped by Pope Julius II, used Spanish troops to defeat the Florentines. The Florentine city-state and the Republic were dissolved. Machiavelli was deprived of office in 1512 by the Medicis, arrested and imprisoned. According to Machiavelli’s philosophy, the Medicis should ideally decimate Machiavelli and his family to ensure that he never leads a rebellion later on by gaining back the support of the local populace. Hence a clear contradiction can be noted here.

This argument is strengthened by the fact that many authors, including Rousseau, have argued that the book was first and foremost, a satire ridiculing the very notion of tyrannical rule. Johnston, for example, says that the “satire” had a firm moral purpose of exposing tyranny and promoting a republican government. In his The Social Contract, the French philosopher Jean Jacques Rousseau says that the choice of the detestable Caesar Borgia as one of the exemplary figures clearly shows Machiavelli’s hidden intentions. He also points out the contradictions between the teaching of The Prince and that of The Discourses on Livy and The History of Florence and states that the text hence had so far been only interpreted superficially. The Prince can be read as deliberately emphasizing the benefits of free republics as opposed to monarchies by the depersonalized way it is written. Differences of opinion amongst critics revolve around whether this sub-text was intended to be understood, let alone understood as deliberately satirical or comic but inspite of that, it is clear that Machiavelli contradicts his idea of shunning flattery by writing a very flattering dedication to a prince about whom he had practically very meager knowledge of as an administrator. It goes on to show how Machiavelli puts his manipulative and objective rhetoric power to practice. Machiavelli himself states that “The wish to acquire is in truth very natural and common, and men always do so when they can, and for this they will be praised not blamed; but when they cannot do so, yet wish to do so by any means, then there is folly and blame.” The fact that The Prince in reality did not succeed in receiving Lorenzo’s patronage makes this contradiction regarding his views on flattery in the treatise a folly and hence subject to blame.

Function of Rhetoric in Bruni’s ‘Funeral Oration’ and ‘Panegyric’

The classical tradition of Rhetoric was seen being incorporated into the Humanist political theory around the late fourteenth and fifteenth century. This humanist rhetoric was heavily influenced by rhetorical exercises of Cicero and Quintilian; but with more importance given to Cicero. There was an emphasis made on the art of governance through the study of these classical authors. The ‘auctores’ played an important role in causing this classical strain by extensive study of classical works on rhetoric. This was not merely about ‘ars’ but using rhetoric to defend liberality, equality and justice. The individual was no longer the central focus any more but the city state which was required to embody the individual virtues as a whole. Bruni, at this point, was responsible for creating a certain kind of civic humanism discourse. Both his ‘Funeral Oration for Nanni Strozzi’ and ‘Panegyric to the City of Florence’ are examples of the formation of civic humanism as well as a rhetorical exercise. Bruni, much like his teacher Salutatti, elaborated on the need for a republican form of government and complete political independence from tyrants; specifically speaking against the despotism of Milan under the Visconti family.
His ‘Funeral Oration for Nanni Strozzi’ is a eulogy not just to Strozzi himself but to the city of Florence as a whole. Much like Pericles’ Funeral Oration from Thucydides’ History of the Peloponnesian War; Bruni too stresses on the liberality and equality of the Florentine state which is a result of the exemplary ruling of Strozzi. He begins with the praise of his own motherland and considers it the most suitable way to pay tribute to the deceased ruler. The city of Florence is an ideal city; a model that all other cities should aspire to become. No other city in Italy can be compared to this city state; it has the best of both the Tuscan and the Roman forefathers. The Tuscans were renowned for their military prowess as well as wealth and the Roman Emperors were replete with virtue, glory, wisdom and magnanimity. Needless to say, the city of Florence remains incomparable in every which way. This funeral oration was delivered at the time when there was a centralization of power by the wealthy Medicis. To mourn the death of a great ruler like Nanni Strozzi would be belittling his accomplishments; hence Bruni enumerates his various achievements through the idealization of the city of Florence. The ideal form of government under Strozzi made certain that liberality and equality were practiced and meritorious men would always find ample opportunities to flourish. Bruni praises this ‘popular government’ which is free from the fear of tyrants (unlike the neighbouring city states) and the citizens are governed by equal laws. The election of the rulers is dependent on human grace and not on wealth. Through the use of rhetoric, Bruni constantly evokes the humanist values. The primary focus is of humans and human values. The common people are the most important and he criticizes monarchic and oligarchic forms of government that only focused on the ruler. He dismisses all false praises of monarchy and asserts the ‘popular government’ as the only legitimate form of governance in any city state. The success of this can be measured through the citizens and their accomplishments. The adequate nurturing of their talents and skills ensured not only military success but also an impressive cultural and literary output. The emergence and expansion of an industrious and commercial class that results in the multiplication of wealth in the city state is also praised. The decaying Greek Literature in Italy was brought back to its full glory by the city of Florence. Bruni ends his funeral oration by mentioning that the city is a reflection of its ruler and Strozzi will remain unmatched in everyway just like the Florentines.
This significant shift from praising monarchy to a more liberal and democratic form of government is also seen in ‘Panegyric to the City of Florence’. The panegyrics became a popular rhetorical device that eschewed the despotic rule of the signori and implemented excessive praise for the ‘popular government’. There can be no room for negative criticism in a panegyric. Bruni’s use of rhetoric in his panegyric is not only to idealize and praise the city of Florence but also instill civic pride and virtue amongst the citizens. Unlike his ‘Funeral Oration’ where the focus was on Strozzi, here he asserts the greatness of city itself. He is humbled by the opportunity to describe a city as great as Florence. The similar ideas of splendor, wealth and power are evoked as in the funeral oration but here Bruni incorporates rhetorical excesses to highlight it further. He repeatedly iterates the notion of a ‘popular government’ beginning with the description of the city and its unmatched architecture. He, then, directly takes up the Ciceronian legacy to start from the beginning and describe the Florentine citizens. The connection between the city and its people is established again and again in both the texts. Here, not only does he praise his Roman founders but also demolishes the rule of tyrants like Caesar, Tiberius and the likes who destroyed the Roman empire through their tyrannical rule. As a result, need for Republicanism rose where virtues of justice, equality and liberality could be pursued. The evils of Caligula and Caesar were banished by adopting the Republican way. The greatness of an individual is brought about only in an environment that promotes equality and the great minds of Florentine flourished. Faith was bestowed on both the weak and strong Florentine classes. The Florentines imitated the virtue of their great Roman and Tuscan forefathers and hence the city continued to remain unmatched in every other way.
The magnanimity of the city of Florence is highlighted through its foreign policies. Here is a city, unlike any other city, that gives refuge to outsiders in search for protection and shelter. Of course, there is a pragmatic motive underlying such a generosity but Bruni only mentions the generosity and charitable spirit of the Florentine state. There are a few distinctive features in this panegyric; firstly, the use of a military rhetoric aimed against the Milanese and secondly, the city is not simply constituted of common citizens but also the rising commercial as well as apolitically powerful class. Florence undertakes the responsibility to protect the weaker neighboring states and Italy as a whole. He asks whether any other city displays such magnanimity of spirit. He dismisses accumulation of private wealth; the city can only function peacefully if there is no inequality. He credits the success of Florence to the Divine by stating that whenever there had been any threat of attack, the city was saved due to this Divine intervention. This is a reference made to the sudden death of Giangaleazzo Visconti (the duke of Lombardy) who was planning to attack Florence. Bruni also points out the establishment of a penal code of law which ensures that all citizens are subjected to the same laws and treatment. The magistrates, who are given the responsibility to ensure the law is upheld, are also subjected to various provisions that keep their power in check. Indeed, the city of Florence has learnt from the history of the tyrants and intends not to repeat the same mistake. There is no concentration of power in a singular ruler. The sovereignty of the city state is upheld by the Nine Priors and the Twelve Good Men who ensure that the whole citizen body adheres to the common law.
There is obviously a discrepancy in this notion of equality. Both the panegyric and the funeral speech omit the extension of this equality amongst the women and slaves. In fact, they do not fit into the two works at all. The rhetorical excesses do evoke the notion of civic humanism but in a partial and incomplete way. The main idea is to articulate the idea of ‘civic membership’ and prescribe the role to the community. There is on one hand, the need for self formation by adopting the prescribed virtues and on the other hand, this is channeled towards the city. The goal of the self formation is for active participation in the public domain. Through the study of the classical rhetoric texts, virtue is inculcated in the individuals and society. The Augustinian notion of the sinful society is removed where there is no room for self betterment and a more positive assertion of self and the government is placed. Bruni does not talk about this directly but he does emphasize the notion of civic humanism by stating that the success of a city state lies in the hands of its citizens. The Republican form of government is the ideal and only way to rule and this is exemplified through the highly idealized city of Florence. He might depreciate his own powers of oration but does not hesitate to eloquently describe the magnificent Florentine city.
Amrita Kar
Pg-1
Roll no. 34

The Courtier as Advisor: Castiglione's The Book of the Courtier

In 'The Book Of The Courtier' Baldssare Castiglione presents the picture of an ideal court,outlining the virtues of an ideal prince. In accordance to the Renaissance spirit of humanism, Castiglione emphasizes upon the growth of individual thought, establishing the moral character of the prince aided by the courtier's advice and influence.
The role of the courtier is of immense importance in channelizing the unrestrained power of the young prince. Signor Ottaviano thus pronounces that the courtier should always be able to pronounce the truth,without the fear or anxiety of displeasing the prince. He must possess the skill to make him aware of the virtues of justice,liberality,magnanimity and gentleness that befits a ruler. It is the courtier who should deter his prince from the path of evil. This can be realized when he is venturesome enough to oppose the prince, obliterating every evil intention, to bring him back on the track of virtue.

Referring to Count Lodovico and Frederico as “the perfect courtier”, Ottaviano establishes how “falsehood” can be detrimental to the development of the prince's personality. It leads to nothing but ignorance and conceit. The courtier often manifests the tendency of flattering the prince,daring not to criticize him blatantly for the fear of being punished. They would rather have him live wickedly than correcting the follies. However the prince needs someone to offer him with the truth,pointing out the correct way. Thus, an ideal courtier is one who honestly comes up with the truth,lest fearing the prince's reproach. He must be genuinely concerned about the welfare of the prince and not merely driven by a fancy to win grace and favor.

The prince often drunk with power may fall back upon amusements and pleasure-seeking as an intrinsic part of his life-style. Blinded with false confidence,he may start believing that governance is an easy task requiring no art or training. It may take him to a point where clinging on to his personal wants and desires , he hates reason and justice. He thus gets carried away by self-conceit, becoming stern and arrogant. This ignorance of how to govern people gives way to utter discord leading to death,destruction,burning and even ruination. Some of the princes are recorded to be so exalted in rank that all eyes constantly observe their every move. Hence,not only their great but even their slightest defects are always marked. Thus it is recorded that Cimon was censured for being attracted to wind,Scipio for loving sleep and Lucullus for loving banquets. At this critical juncture what a prince requires is a strict philosopher, candidly revealing to him the face of true virtue. It is the courtier who must explain to the prince how to comport and be an ideal government.

A true courtier must be able to win over the confidence of his prince so much so that he may visit him anytime for discussing the state of affairs without any hindrance. He must gradually instill virtue in his prince's persona bestowing upon him the qualities of continence,fortitude,justice and temperance. He must impart in the prince the strength to endure the slight bitterness of struggle that lies beneath the sweet fruit of successful governance. In this way the courtier leads the prince along the rough path of virtue. Signor Gaspare opines that attributes concerning music and dance are of a lesser importance to the courtier. He must be endowed with qualities enough concerning the education of the prince. Signor Ottaviano however suggested that a prince must lead both kinds of life. On one hand he must be carrying clear insight and judgement. On the other he must possess the acumen to issue lawful commands in it's correct manner concerning things that are reasonable and within authority. Duke Fredrico thus wraps it all up by commenting that one who can command with authority is always obeyed.

An ideal ruler sets up enduring laws and ordinances for his countrymen to live a dignified life and enjoy in a worthy manner which in turn is channelized by the courtier. Here Ottaviano discusses at length the 'practical virtues' that must be inherent in the prince. Along with 'steadfastness','long suffering patience' and an indomitable spirit he emphasizes upon 'fortitude' which is specially useful during times of war. He interestingly points out that the virtues conducive to “moral excellence” are more essential in times of peace rather than during war. This is because harmonious state of affairs often tempts the prince to be misdirected by pleasures. It is essentially the role of the courtier to maneuver the prince as Ottaviano proclaims “I knew how to teach my prince and instruct him in all the virtuous ways we have outlined already...”

Signor Gaspare at this juncture, questions as to how the courtier should ideally impart “good education” to his prince . He meant to clarify whether the instructions must be conveyed casually or should they be substantiated with arguments during a verbal conflict. Ottaviano a bit vexed by this sudden digression opines to rely upon the natural instincts over reason. He pronounces that just as intellectual virtue is perfected by teaching so also “moral virtue is perfected by practice”.

Magnificio Guillano puts forward the idea that the courtier leading the prince to excellence must himself be supercilious. He portrays how the age difference between the prince and the courtier may open up different situations. The prince if elder to the courtier can be expected to be more knowledgeable. Thus the courier cannot really bestow instructions upon him. On the other hand if the courtier is old he cannot keep up with the gusto of the prince in games and merrymaking. Ottaviano counters him by establishing the importance of one's natural inclination in playing a certain a role. Thus he refutes that all the courtier's guidance would be futile if the prince doesn’t manifest a natural knack for governance. Thus the courtier cultivates and nurtures the already fertile mind of the prince. This ideal of self-fashioning may be thought to have been inspired by Pico Della Mirandola’s 'Oration on the Dignity of Man'

The book can be seen as a recreation of Castiglione's own experience at the court of Duke Guidobaldo da Montefeltro of Urbino. Organized as a series of fictional conversations that occur between the courtiers, the book discusses at length the role of the courtier in motivating the price to achieve a perfect governance.

SAYANTI MUKHERJEE
PG-I
Roll No- 06

The Concept of Virtue in Machiavelli's The Prince

In The Prince, Machiavelli's concept of virtue departs from the conventional meaning associated with the word, indicative of moral excellence. Machiavelli uses the Italian word virtù, which does not have an exact English equivalent. It seems to be closer in meaning to the Latin word virtus or manliness. Translators have difficulty in rendering virtù, often using several words referring to amoral qualities that skirt the question of evil, such as ingenuity or boldness. Virtù, simply put, is the ability of a ruler to do whatever must be done in order to achieve success.

In Chapter VI, Machiavelli praises leaders like Cyrus, Romulus and Theseus and illustrates how these men rose to be princes without being dependent on fortune. Such men may face initial difficulties establishing their governance but once they do, they attain security with ease. However, Machiavelli is quick to state that fortune brought these men the opportunity to make use of their 'powers of mind'. Romulus would not have become the King of Rome if he had not remained in Alba and been abandoned at birth. It was necessary for Cyrus to find the Persian people discontented with the government of the Medes. Theseys too, could not have shown his skill had he not found the Athenians dispersed. Thus, virtù without opportunity to use it is wasted, while opportunity is wasted without virtù.

In Chapter VII, Machiavelli considers how certain 'private citizens' become princes through good fortune, by luck or by the aid of others. Such rulers may acquire principalities with ease, but they encounter problems in maintaining their position. It is important that those who acquire states unexpectedly by fortune, are also men of great ability such as Fransesco Sforza, in order to lay a solid foundation. Cesare Borgia became a prince greatly dependent on the influence of his powerful father, Pope Alexander VI. He used force in the strategic conquest of foreign lands, established a loyal military force and developed cautious yet friendly relationships with neighbouring states. A man of great courage, Borgia radiates virtù but it is not enough to save him from an unfortunate end. The sudden death of his father and his own unexpected illness left him incapable of fully consolidating his power. It is worth noting that Machiavelli is approving of Borgia's tactics of deception and cruelty which led to a brief period of success.

From Chapter XV, Machiavelli begins a discussion of the qualities that an ideal prince should possess. In contrast to the idea of leaders upholding the highest moral standards in their daily lives, he believes that a ruler should have knowledge of what is wrong and look to necessity for its use. Vice must not be reproached if it will benefit the state as a whole and virtue must be sacrificed if it will be harmful to the prince and his state. All recommendations of virtuous action are tempered by the argument of their efficacy. They are good only if they have certain definite and desired ends. Chapter XVI focuses on the virtue of liberality or generosity and how much it is beneficial for the prince. Machiavelli warns rulers against squandering away their wealth through unnecessary lavish displays as this will adversely affect the citizens of their states. Citing the King of Spain and Pope Julius the Second as examples, he observes how new princes must appear liberal while they are securing a firm base but once they have acquired power, they should curtail their spending. The prince must get the people to expect the worst; then, virtue will appear as bringing relief in contrast. In Chapter XVII, Machiavelli tackles whether it is better for a prince to be 'loved than feared or feared than loved'. He says that a prince should inspire fear among his people in such a manner that even if he does not win love, he avoids hatred. Mercy is useless when it will bring about a situation of disorder in the state. If those who commit wrong are spared their punishment, the innocent remain at risk from the future actions of such a criminal. The way Cesar Borgia subdued the lawless Romagna region is considered praise-worthy. A pessimistic view of mankind is brought to the fore when Machiavelli states that men are 'ungrateful, fickle, false, cowardly, covetous, and as long as you succeed they are yours entirely'. Although he does not advocate cruelty for cruelty's sake, Machiavelli feels that it is justified in certain cases.Taking Hannibal as an example, he observes how a combination of inhuman cruelty and bravery inspired respect and awe among his soldiers. On the other hand, too much forbearance in the case of Scipio resulted in his army rebelling against him at Spain. Chapter XVIII concludes the discussion of virtues that must be displayed by a prince. The most successful outcomes are a result of actions which may seem unscrupulous- "How praiseworthy it is for a prince to keep his word and live with integrity rather than by craftiness, everyone understands; yet we see from recent experience that those princes have accomplished most who paid little heed to keeping their promises, but who knew how to manipulate the minds of men craftily". Sebastian de Grazia in Machiavelli in Hell, refers to Machiavelli's justification of deceit as the 'Un-Golden Rule', whereby one may do unto others as he can expect they will do unto him.

The classical concept of 'civic virtue' put forward by philosophers like Aristotle as a moral code applicable to rulers and subjects alike, is critically transformed in Machiavelli's concept of virtù, which pertains to rulers of states and can be at odds with moral virtue. According to Harvey Clafin Mansfield in his book titled Machiavelli's Virtue, the phrase verita effettuale in The Prince, when applied to virtue says that virtue is what it gets one. But virtue may get "ruin rather than preservation" unless one learns "how to be able not to be good". Machiavelli's notion of virtue, which welcomes the vices, must continue to coexist with the old notion, which is repelled by them. To create the contrast between virtue and vice, the prince must practice both; this being what it means to use virtue.

- Tanuka Mukherjee
   PG II
   Roll Number: 73